Tag Archives: critical film

Blow up and Rearview Mirror

Avoiding the Masculine “Gaze”:  Frustrated Homosexual Desire and the  Eroticized Role of the Camera In Hitchcock’s Rear Window and  Antonioni’s Blow Up By Matt Wylie In “Rear Window Ethics:  Laura Mulvey and the Inverted Gaze,” Robert Samuels attempts to point out … Continue reading

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